Stop, Motion.

When I first developed an interest in photography I’d see a blurry image and think “that’s no good it’s all blurry and out of focus”. I was taught a lesson by the great Ernst Haas and in particular this image of a Bullfighter. To me this is just a beautiful example of how showing motion in your photography can turn what might have been a boring photograph into a work of art.

I now really love to capture a sense of motion in my images, especially in my wedding photography dance shots, so you can convey to the viewer that the person was actually in motion, the lights were moving, there was energy, fun, atmosphere! There’s nothing worse than photos of a wedding reception with great disco lights where the photographer has chosen a relatively fast shutter speed of 300th of a second to capture a dancer perfectly frozen. The camera meter then thinks to itself “blimey that’s a fast shutter speed, it’s fairly dim in this party so I better crank out loads of flash, BAM”. You end up with the flash totally overpowering all the beautiful ambient disco lights and it looks like the party was being held in the middle of the day with no ambience or atmosphere.

With beginners there is nearly always a desire to show fast moving objects or subjects in a sort of “1000th of a second frozen in time” sort of way. Nothing wrong with that but mix it up with a few slow shutter shots.

Here are some examples from my own photography with information on camera settings and technique. For a more detailed explanation of Rear Sync Flash see my article featured in Photo Review Magazine. Panning is the technique of moving your camera along with and in the direction of a moving subject, see more on this here.

Panning along with fast moving bike. F5.6, 100th of a second.

Shot from an open top tourist bus, stationary at traffic lights, as were cars. Panning shot. F11, 50th second.

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F10, 1/2 second, flash set to rear sync. This shot is straight out of camera (SOOC). For a tutorial click the link above about Rear Sync Flash explanation.

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Panning along with bird in flight. F16, 20th second.

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Camera set on tripod, mirror up, shutter tripped with remote release. F32, 30 seconds.

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Camera on tripod, mirror up, shutter tripped with remote release. F4, 30 seconds.

Panning along with Pigeon in flight. F20, 20th of a second.

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Flash set to Rear Sync. F3.5, 1/2 second.

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Flash set to Rear Sync. F3.5, 1/2 second.

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Flash set to Rear Sync. F3.5, 1 second.

Flash set to Rear Sync. F3.5, 1 second.

Flash set to Rear Sync. F3.5, 1 second.

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Flash set to Rear Sync. F8, 2/3rds of a second.

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Panning along with couple running. F4, 40th of a second.

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Panning along with running couple. F5, 20th of a second.

Jo Spencer

Great post Damian, I’ve always been so fearful of having any kind of blur, or lack of sharpness in my images in the past, but movement is as precious in so many of my images as light and expression is. I’ve given clients slightly blurry images in the past, one that pops into my head was a couple who had a little impromptu first dance as the sun was setting. I was caught so off guard that the first few frames were slightly blurred, but the bride’s one, absolute favourite image of her wedding day was the photograph of her dancing with her new husband, blur and all.

It’s a shame so many techniques are fast being viewed as old-fashioned. Maybe it’s time to reinvigorate and put a fresh twist on some of them!

F Courtney

Loving the dance photos, captures the atmosphere wonderfully.

Alyssa Schroeder

Cool stuff. Like the wide one of the street!

Thanks Jo

Yeah I used to be the same about sharpness, what did Cartier Bresson say “sharpness is a bourgeois concept”. Not sure I ever understood exactly what he meant by that but just interpreted it as “a poor photo that’s sharp is still a poor photo”. Another quote I like (from Bambi Cantrell) is “emotion will always beat technical perfection”

There’s a maxim in storytelling of “show don’t tell” which relates to this blurry discussion in that sometimes you want to leave something for the viewer/reader to interpret themselves, you don’t have to lay it all out on a plate. For me the feeling the photo evokes is the most important thing. I think many “proper” photographers still use the techniques of old, I know photographic film is enjoying a revival at the moment.

Albert Palmer

Top panning Damian!

Steve Koo

I love the one of the bird. Great work!

frances courtney

I feel I have a lot to learn!

Darren Gair

another great article Damien, love the dice image!

Ariana Watts

I wish I took more photos like this. Great advice and beautiful images!

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